By Judith Rollins
With intelligence, perception, and humor, Odette Harper Hines describes her lifestyles a existence that reversed the development of the good Migration by means of starting in prosperity within the city North and stepping into the small-town South. Recorded by means of Judith Rollins over 8 years, this intimate narrative is an strange collaboration among African American ladies who characterize generations of civil rights activists. Born in ny right into a cozy relatives, Hines' activism begun within the Abyssinian Baptist Church in her adolescents and persisted all through her lifestyles as she witnessed the nice melancholy in Harlem, labored at the WPA Writers undertaking, grew to become exposure director of the NAACP, and volunteered for the pink move in Europe in the course of WWII. whilst she moved to Louisiana in 1946, she endured to problem racial injustice and risked her existence to accommodate civil rights staff within the early Nineteen Sixties (Rollins, between them). She later began and directed the Headstart software in her parish. all through this narrative, Hines describes her relationships with such figures as Mary McLeod Bethune, Adam Clayton Powell, Walter White, Thurgood Marshall, Ella Baker, Marcus Garvey, Claude McKay, Ralph Ellison, etc. but Hines' memoir isn't just approximately her public lifestyles. She courageously finds her own lifestyles and personal discomfort. Twenty-eight pictures quite often from Hines' kinfolk album accuentuate this oral background that's, as Rollins states in her advent, 'a complicated and textured portrait of a unprecedented 20th century American woman.' writer be aware: Judith Rollins is affiliate Professor of Africana stories and Sociology at Wellesley university, and the writer of "Between ladies: Domestics and Their Employers" (Temple).
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Additional info for All is never said: the narrative of Odette Harper Hines
Nobody else had one. They didn't even make them then. All the kids thought the doll was perfectly beautiful. I didn't think about race at that age. I just knew it was my doll and it was beautiful. But, for a child, I think it was a powerful message. My family was very engaged in being what they were and not what somebody else was. Although they had all kinds of appearances, there was never any confusion about what they were. And they were more than clear; they were proud, almost arrogant. So we all played together very comfortably.
All rights reserved Published 1995 "Incident" by Countee Cullen reprinted with permission. Copyrights held by the Amistad Research Center, Tulane University, New Orleans, Louisiana. Administered by JJKR Associated, New York, New York. "Lift Every Voice and Sing"James Weldon Johnson, J. Rosamond Johnson. Used by permission of Edward B. Marks Music Company. "Shepherd's Song at Christmas" by Langston Hughes. Reprinted by permission of Harold Ober Associates Incorporated. Copyright © 1958 by Langston Hughes.
She was lavish with food. She said that whatever you had came from the Supreme Being; you were just allowed to monitor it. You don't own anything. She did not believe that you should pass up anybody. And Mama's mother was like that, too. Any beggar in the street who asked her for anything got it. Her mother had indoctrinated her, I guess. " And grandmother would answer, "I suppose they can find the Home Relief on their own. '' All of those women in my family felt that you were your brother's keeper.
All is never said: the narrative of Odette Harper Hines by Judith Rollins